Desmond Morris (1928–2026) died earlier this year. I have always admired his ability to view human beings through a purely biological and evolutionary lens. Such an undertaking required a degree of detachment from one’s own species that is by no means easy to achieve. It brings to mind a rather risqué anecdote regarding a Martian visiting Earth whose interests, without divulging too much, were not dissimilar to those of Masters and Johnson—who were themselves, perhaps, less scientifically detached than is commonly assumed. It is frequently the mythical Martian who is invoked in jokes and literary conceits whenever a profound sense of detachment from ourselves is called for; the Martian’s perspective forces us to pause and look afresh at human nature.
Morris, however, could not rely upon the device of a Martian perspective, but instead employed the rigorous framework of a serious scientist. When his landmark work, The Naked Ape: A Zoologist's Study of the Human Animal, was published in 1967, it met with predictable criticism from within the scientific establishment. Yet it was the reaction of the general public that proved particularly revealing—especially when viewed from a "Manwatching" perspective (to borrow the title of one of his subsequent works). Religious and moral commentators viewed The Naked Ape as a direct challenge to humanity’s position within a divinely instituted order. They judged its descriptions of reproductive physiology to be excessively explicit, even pornographic, prompting widespread demands for the book to be banned from school libraries. Naturally, such condemnation served only to fuel sales.
A distinct yet complementary methodology had previously been adopted by the American cultural anthropologist and sociologist Horace Miner (1912–1993). In 1956, he published an article in American Anthropologist entitled "Body Ritual among the Nacirema". The essay remains one of the most widely assigned texts in introductory sociology and anthropology courses, serving as a foundational instrument for introducing students to cultural relativism and the necessity of objective observation prior to undertaking fieldwork. Beyond this, however, I must refrain from further exposition, offering not even a spoiler alert.
What Morris achieved was a systematic interrogation of ordinary human behavior from a specific ethological perspective. This prompts consideration of a contemporary phenomenon that remains equally perplexing: how has the act of self-display—standing motionless in various artificial poses to be scrutinised or photographed—come to be regarded as a virtue? Why has it evolved into a lucrative profession, commanding extraordinary remuneration? What drives so many individuals to pursue the status of a model? Stated in more fundamental terms, why do people aspire to make a living by standing still, or to be photographed without clothing? These questions apply equally to male and female subjects, though male and female observers may well arrive at divergent conclusions. While one might propose answers along classic ethological lines, the questions are worth posing precisely because they are so rarely asked. Indeed, one wonders what Morris would have made of modern social media, saturated as it is with individuals uploading repetitive photographs of themselves. Why is a single image deemed insufficient? What impels the uploading of multiple, virtually indistinguishable iterations of the same pose? We routinely overlook these peculiarities despite—or perhaps because of—their omnipresence on our digital screens.
Consider, for instance, how many Instagram images are captured in public toilets. Such locations are frequently selected simply because they offer readily accessible full-length mirrors. Yet this raises a prior question: why the overwhelming impulse to capture and display full-length representations of oneself in the first place?
This impulse towards visibility exists in tension with the nature of modern digital observation. Cyberstalking is formally defined as the persistent use of digital communications to monitor, harass, or intimidate an individual, constituting a fixated and illegal pattern of behavior intended to induce fear or distress. But what of instances where harassment and intimidation are absent? What if the interaction consists solely of "following" or repeatedly visiting a specific profile in complete silence? Does this constitute a form of "silent cyberstalking"? And conversely, what psychological and behavioral effect does it have on an individual to know that they are being observed by thousands of unseen eyes?
One wonders what reaction would meet these "Desmond Morris-like" inquiries today. What impact might an updated version of The Naked Ape achieve if directed at the digital, social-media-saturated era?
